You guys have worked together before. It seemed the camaraderie between you two was genuine. The last summer he put out his own “B.M.F.” freestyle, but told me personally it wasn’t abbot you. Did you feel disrespected? I’m not sure what was going on. [the freestyle] was most definitely [disrespectful], whatever it was. Then the explanations seemed sideways, less than G.
Has the phone call between you and Young Jeezy take place yet?
Nah. That hasn’t happened. It’s nothing I’m looking forward to.
What’s more surprising; a diss records by somebody you were cool with or by somebody you don’t know?
It’s most definitely when we always touching distance from each other. I’m right here. It’s not like I’m in Miami and you in New York. We see each other. That’s the only issue I had. It was sideways. So I made a record, “Summer’s Mine” just to [let him know], if we gonna play that sport, let’s put it on the table like men. If it was just a freestyle that the world took the wrong way, leave it alone. That’s how I took it.
An added twist is that you and Jeezy are both on Def Jam. Did you ever get a call from L.A Reid saying “Hey, let’s not let this get out of hand?
Nah. I don’t accept those kinda calls. I think they know that would have been an exercise in futility. Whatever it’s gonna be, it’s gonna be. If we gonna get money, we gonna get money. If it’s pressure, just put it on the table. I feel no way. I had nothing but love for the homie, but if me getting money in the streets or making music offended you, I can’t help that.
Rick Ross speaks to The Source on his Summer’s Mine “diss” record aimed at Young Jeezy that was released a few months back. You can read more when the issue hits newstands on December 14th
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